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Hello
Friends,
In the
first half of 2004, Work o' the Weavers (WotW) has
enjoyed spirited responses from our audiences, several
high-profile performances, and the release of our first
CD.
PERFORMANCES
Among the warmly received appearances was the concert
to fête Bob Sherman's 35th Anniversary of his 'Woody's
Children' radio program at Merkin Hall, together with
Pete Seeger, Christine Lavin, Tom Chapin and friends.
The feeling of the evening was so infectious that the
audience wouldn't let it end, breaking into a
spontaneous combustion of 'Goodnight Irene',
compelling the performers to return to the stage to
sing it with them. Our WotW Merkin performances that
night make up nearly half of our new CD (see below).
WotW
appeared not once, but twice at Paramus Picture Show
(Paramus NJ). The response to our January 31st show
was so affirming that we were invited back for May
Day. The intimate 200-seat venue lends itself
beautifully to the nature of the program, and will
surely see WotW again in the near future.
On May
6, WotW joined Pete in NYC once again to celebrate the
birthdays of two acronymical organizations, POCLAD
(50th) and CIPA (10th). Here we lent support to Pete's
efforts on behalf of the idea of returning royalties
from popular songs based on traditional or foreign
tunes to their country of origin. A case in point is
the song Wimoweh (Mbube), originally written by
South African shepherd Solomon Linda and first sung by
him in 1939 with his group, The Evening Birds. The
Weavers had mild initial success with it in the '50s,
but it wasn't until American lyricist George Weiss
lent but 10 words in English to the tune ("In the
jungle, etc.") that it became a worldwide hit for
The Tokens in 1961. Disney's inclusion of it in The
Lion King renewed its popularity in the '90s.
(Incredibly, Disney lawyers continue to stonewall,
insisting that the two songs are unrelated. We await
the court's determination on that.) Alas, not a single
dime earned from the use of Wimoweh has found its way
to the heirs of Mr. Linda in Johnnesburg.
That is,
until now. WotW is determined to make a small but
meaningful statement by sending royalties from the
sale of our initial pressing of 1000 CDs directly to
the Linda family. We will continue that practice with
all subsequent pressings.
Standing
ovations and encores followed each of our programs at
Coffee & Soul Coffeehouse (Greenfield MA), Temple
Israel (Croton NY), The Guthrie Center (Great
Barrington MA), Tribes Hill SummerFest (Valhalla NY),
the Norman Rockwell Museum (Stockbridge MA), PACE
(Easthampton MA), World Fellowship Center (Conway NH),
and Camp Kinderland (Tolland MA), where campers aging
from 5-18 surprised
us by knowing—and singing along with—not only the
choruses, but the verses as well to our entire
repertoire. Can this be but a taste of how the Beatles
must have felt?!
August
8th was a singular treat for us. The Jacob Burns Film
Center in Pleasantville NY screened the Weavers' film,
Wasn't That A Time?, followed by an interview
with Weavers' longtime manager and friend, Harold
Leventhal, oft called "the fifth Weaver." We
then closed with a set of Weaverbilia. I remarked
after our first song that it's not likely we'd ever
have a tougher act to follow. At the same time, it's
doubtful we'll ever be any more inspired than we were
that evening.
THE
NEW CD
16 songs distilled from our performances at Merkin
Hall and Walkabout Clearwater Coffeehouse in December,
seasoned with a soupçon of supporting narrative,
comprise the content of our first CD, released May
7th. Details and ordering information may be found on
the Work o' the Weavers marketplace
page or more directly at www.worldwindcd.com.
Highlights, for us particularly, are the appearances
of Pete Seeger, to introduce us, and Fred Hellerman,
who joins us onstage to close with Goodnight Irene.
We've been extremely fortunate to enjoy the ongoing
support and encouragement of these two of our musical
heroes.
Incidentally,
we'll be appearing again with BOTH of them on November
13 at the Walkabout Clearwater Coffeehouse (Katonah
NY), for 'An Evening with Fred Hellerman and Pete
Seeger', titled "How To Beat The Blacklist."
See our tour
schedule for details.
UPCOMING
And please visit our tour
schedule from time to time for other performance
updates.2005 will be the 50th anniversary of the
Weavers' triumphant sold-out concerts at Carnegie Hall
in 1955, returning to public performing after 3 years
of shameful blacklisting. We will be dedicating our
entire year to the commemoration of that event.
We hope
to enjoy your company soon.
Peace,
James,
David, Martha & Mark
2003
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